Tavares Strachan. Day Dream, 2024. 2 ø 48 inch. Oil, enamel, pigment, and acrylic on mat board, powder coated steel frame. Photographer: Guillaume Ziccarelli. Courtesy of the artist and Perrotin.
Takashi Murakami. A Blond Man with Three Ears, 2023. 33 x 28 inch. Photographer: Yuta Saito. ©︎2023 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Courtesy Perrotin.
Danielle Orchard. Mother with Child, 2024. Oil on canvas. 42 x 55 inch. Photographer: Guillaume Ziccarelli. Courtesy of the artist and Perrotin.
Lee Bae. Brushstroke - e, 2023. Charcoal ink on paper. 64 × 51 inch. Photographer: Guillaume Ziccarelli. Courtesy of the artist and Perrotin.
Mathilde Denize. Figures, 2024. Oil on canvas, watercolor on canvas, pearlescent pigments. 64 × 45 inch. Photographer: Guillaume Ziccarelli. Courtesy of the artist and Perrotin.
Nick Doyle. Keeping It Together, 2024. Dyed denim on custom panel. 57 × 30 inch. Photographer: Guillaume Ziccarelli. Courtesy of the artist and Perrotin.

DALLAS ART FAIR


Booth G2

Fashion Industry Gallery

April 5 - 7, 2024


Perrotin is pleased to participate in Dallas Art Fair with a selection of works by Jean-Marie Appriou, Iván Argote, Daniel Arsham, Mathilde Denize, Nick Doyle, Zach Harris, Hans Hartung, Charles Hascoët, Thilo Heinzmann, Leslie Hewitt, Lee Bae, Takashi Murakami, Danielle Orchard, Jean-Michel Othoniel, Paola Pivi, Gabriel Rico, Josh Sperling, Tavares Strachan, Julia von Eichel, and Xiyao Wang.


Concurrently, Iván Argote opens a public installation on Katy Art Trail in the heart of Dallas. Katy Trail Art presents Iván Argote’s Wild Flowers for the first time in outdoor public space to engage with visitors to the Katy Trail. Begun in 2021, Wild Flowers is an ongoing series of immersive installations comprised of scattered cast bronze fragments of a figurative statue. A torso, pelvis, hand, and feet are transformed into planters that hold local plants and flowers endemic to the region. Appearing as if nature has taken over and playing upon notions of monuments and time, the artist prompts the viewer to wonder if the statue is being removed, abandoned, or getting ready to be installed.